merchant of venice act 3, scene 2 summary

She continues, and her attempts to verbally circumvent stating outright her feelings for Bassanio lead her to utter absolute nonsense. Merchant of Venice Act 4 Scene 2 Summary. Bassanio's conduct suggests that the only use for wealth, for "all that he hath," is in giving or risking it in the pursuit of happiness, not in hoarding it or worshipping it for its own sake. Alongside Portia’s portrait, there is a scroll which tells him, “Turn you where your lady is / And claim her with a loving kiss.” Still giddy from his success, Bassanio does so, and Portia, who only a moment before was mistress of herself and of all her possessions, now commits herself and all she owns to her new lord. Bassanio calls silver the “common drudge / ‘Tween man and man.” Although silver is valued as a precious metal, more often than not it is a medium of exchange — money — and again, we think of Shylock’s misplaced values, which make silver an end in itself. She asks him to "tarry," to "pause a day or two," to "forbear awhile"; anything, she tells him, to … . Yet, Antonio says, all debts between him and Bassanio are "cleared," and he says that he wishes only "that I might but see you at my death." Summary In Venice, Antonio has been allowed to leave the jail, accompanied by his jailer. Indicative of Portia rare character in this scene is her immediate reaction to the crisis at hand. Essentially, this speech is evidence for us of Portia's love for Bassanio, and the charm of her speech lies in the fact that Portia cannot openly admit her love. He reads it, and Portia notices that he has turned pale; the letter contains bad news. This admission, in turn, relieves Portia’s anxiety somewhat, and her old spirit of jesting returns and she wittily picks up on Bassanio’s choice of metaphor and teases him. But first, she and Bassanio will be married and then immediately afterwards he must go to Antonio's aid, "for never shall you lie by Portia's side / With an unquiet soul." . Bassanio promises to wear the ring as long as he lives. She is sad to know Launcelot is leaving but understands the reason. Portia : I pray you, tarry, pause a day or two Before you hazard; for, in choosing wrong, I lose your company : therefore, forbear awhile. Act 3, Scene 2. Merchant of Venice Act 4 Scene 2 Summary. Suggestions Use up and down arrows to review and enter to select. She has not complained, but we now see that her role in this casket contest contains special intensity. He extends this perception to law, religion, military honor, and physical beauty. She has not complained, but we now see that her role in this casket contest contains special intensity. It begins with Portia’s speech begging Bassanio to delay in making his choice of caskets, “for in choosing wrong /1 lose your company.” Essentially, this speech is evidence for us of Portia’s love for Bassanio, and the chann of her speech lies in the fact that Portia cannot openly admit her love. She says she is half tempted to … Merchant of Venice. bookmarked pages associated with this title. Bassanio rejects both of these caskets, and his reasons are significant in the total meaning of the play. Jessica, the daughter of Shylock, meets with Lancelot and tells him that she will miss him after he leaves to go work for Bassanio. Summary Act 3 Scene 2. 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Already she has fallen in love with him, and she fears the outcome. Antonio says that he wishes only to see Bassanio before he dies; his plans "have all miscarried," he says; his "creditors grow cruel"; his "estate is very low"; and his "bond to the Jew is forfeit." His friends Salerio and Solanio attempt to cheer him up by telling him that he is only worried about his ships returning safely to port. Launcelot comes to take his leave from Shylock, but finds his master’s daughter, Jessica, sitting alone in the house. We are never allowed to forget her intelligence because this element will be the key ingredient in the play's climactic scene. If he waits, it is as though he “lives on the rack.” Thus Portia acquiesces and tells her servants that this choice is no ordinary choice; therefore, she would like music to be played “while he doth make his choice.”. Bassanio’s conduct suggests that the only use for wealth, for “all that he hath,” is in giving or risking it in the pursuit of happiness, not in hoarding it or worshipping it for its own sake. If we ask ourselves why Bassanio is enabled to judge rightly when others fail, the answer is simply that his motive is love, rather than pride or the desire for worldly gain. The exchange of vows between Portia and Bassanio is conducted at an intense and exalted level. This witty wordplay has the effect of delaying the choice of caskets and further allowing Portia to relax and display her spirit and sense of wit. Already she has fallen in love with him, and she fears the outcome. His anxiety is too great. Salerio says that he has come with a letter from Antonio to Bassanio, and that he met Lorenzo and Jessica, whom he persuaded to come with him. He reads it, and Portia notices that he has turned pale; the letter contains bad news. On a street in Venice, Shylock presses the jailer to go after Antonio, calling Antonio a fool who lent out money for free. A side-by-side No Fear translation of The Merchant of Venice Act 2 Scene 9. Still giddy from his success, Bassanio does so, and Portia, who only a moment before was mistress of herself and of all her possessions, now commits herself and all she owns to her new lord. Act IV, Scene 2 Summary Gratiano overtakes Portia and Nerissa as they seek Shylock’s house in order to have the usurer sign the deed willing his properties to Lorenzo. He hopes to speak with Shylock and plead for mercy, but Shylock refuse Scene 3 Now, with the arrival of Lorenzo, Jessica, and Salerino from Venice, these two worlds meet, and the evils of wealth, spawned in Venice, disrupt the happy serenity of Belmont. Bassanio picks up on this idea and elaborates on it when he meditates on the way in which "outward shows" mislead or deceive the observer. Both Bassanio's speech and his choice of caskets touch on one of the central themes of the play — the contrast between appearance and reality; what appears to be valuable (gold and silver) turns out to be worthless, and what appears to be worthless (lead) turns out to be valuable. Shylock is … Merchant of Venice Act 2 Scene 2 Critical Commentary. The Merchant of Venice Act 3 Scene 3 Summary Workbook Answers The Merchant of Venice Act 3 Scene 3 Summary. She intends to meet him soon and run away from her father's house in order to marry Lorenzo. Turning to Salerio, Bassanio asks, "But is it true? ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. She also presents him with a ring, a symbol of their union, which he is never to “part from, lose, or give away.” Bassanio promises to wear the ring as long as he lives. Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. Alongside Portia's portrait, there is a scroll which tells him, "Turn you where your lady is / And claim her with a loving kiss." CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Themes and Colors Key LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work. She begs him to share the cause of his anguish, and he tells her that he has just read "the unpleasant'st words / That ever blotted paper." In this scene, Launcelot comes to bid farewell to Shylock’s daughter Jessica because he is going to leave his job with Shylock. ... Act 2, Scene 8, Page 3 Act 2, Scene 9, Page 2. he makes the wrong … The lovers are being searched for. Notes. His two friends leave after Bassanio, Graziano and Lorenzoarrive. Setting : Venice Characters : Portia, Nerissa, Gratiano. Portia agrees to the double wedding, and Gratiano boastfully wagers that he and Nerissa produce a boy before they do. She continues, and her attempts to verbally circumvent stating outright her feelings for Bassanio lead her to utter absolute nonsense. While an argument can be made, based on Bassanio's focus on Portia's fortunes in Act 1, Scene 1, that his primary interest in Portia is financial, Act 3, Scene 2 helps dispel this possibility. She watches rapturously as Bassanio opens the lead casket and finds in it a picture of Portia, which, though beautifully painted, fails to do her justice, in Bassanio's opinion. Read the full text of The Merchant of Venice Act 3 Scene 2 with a side-by-side translation HERE. When Bassanio’s choice is made, Portia prays in an aside for help in containing her emotions. Next. Portia finally agrees to take him into the room with the caskets. The central idea in the song that is used as background music while Bassanio is making his choice of caskets focuses on the word "fancy." She asks him to “tarry,” to “pause a day or two,” to “forbear awhile”; anything, she tells him, to keep him from possibly choosing the wrong casket. Merchant of Venice. … The audience is taken back to Venice. Portia and Bassanio have presented their idyllic romantic love as something ideal; Gratiano readjusts the balance by the reminder that love is a physical as well as a spiritual union. His anxiety is too great. Characters : Launcelot, Jessica. At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. Bassanio, however, begs to choose one of them. The Elizabethans would have loved this ribald touch. If he waits, it is as though he "lives on the rack." Shylock has found the elopement of his daughter with a Christian. Bassanio moves to the caskets, and Portia begins a lovely speech, built around the notion of sacrifice. Portia asks Nerissa to go and get the signature of Shylock on the deed of gift. This introduces the sub-plot of Lorenzo- Jessica love story. And so Bassanio finally comes to choose the least likely looking casket — the leaden one — and, of course, his choice is the right one. Understand every line of The Merchant of Venice. For the first time Bassanio confesses his love for Portia, and he does so in a manner that appears shy and subdued. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. Bassanio, she says, must "First go with me to church and call me wife, / And then away to Venice to your friend!" Antonio, a merchant, is in a melancholic state of mind and unable to find a reason for his depression. In Bassanio's absence, she and Nerissa "will live as maids and widows." The Editor. He speaks of feeling as though he were strained tautly on the rack. Merchant of Venice Act 4 Scene 2 Summary, Merchant of Venice Workbook Answers. Summary; Act 1 scene 1; Act 1 scene 2; Act 1 Scene 3; Act 2 Scene 1; Act 2 Scene 2; Act 2 Scene 3; Act 2 Scene 4; Act 2 Scene 5; Act 2 Scene 6; Act 2 Scene 7; More; Treasure Trove; History; More. But because the play is a romantic comedy, its tone becomes lighter when Gratiano reveals that now that Bassanio has won Portia, he has won Nerissa, and his wooing is presented in bold contrast to Bassanio. Bassanio sees wealth as useful only in securing love and happiness. This long scene brings the casket story to its climax with Bassanio’s choice. Search all of SparkNotes Search. Twice, we have watched Portia prepare to become a sort of sacrificial victim, as it were, to unwanted suitors. Instead, he chooses the casket made of "meagre lead," which is the least attractive of the caskets — if they are judged by appearance alone. Are you sure you want to remove #bookConfirmation# Portia comprehends the gravity of the situation. Themes and Colors Key LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work. The Merchant of Venice Act 3 Scene 2 Summary Questions and Answers. Antonio, however, denies that he is worried about his ships and remains depressed. The words seem to warn him not to judge by external appearance. Summary. Salanio and Salarino are concerned by news that Antonio has lost a ship. She begs him to share the cause of his anguish, and he tells her that he has just read “the unpleasant’st words / That ever blotted paper.” He confesses that he is deeply in debt to “a dear friend” who in turn is in debt to a dangerous enemy. Bassanio, however, begs to choose one of them. Act 2, scene 3. Bassanio sees wealth as useful only in securing love and happiness. Read our modern English translation of this scene. Modern English Reading Act III Scene II Bassanio inf… Summary of Merchant of Venice Act 3, Scene 2 ICSE Class 10, 9 English. Portia is plagued by suitors from the four corners of the earth but isn't allowed to choose the one she wants. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Portia tells Bassaniothat she wants him to wait a month or two before choosing from the caskets so that she may be guaranteed his company for a while longer. Bassanio tells her that he is desperate to choose, and feels like he is being tortured the longer he waits. Not one, Salerio replies, and besides, even if Antonio now had the money to repay Shylock it would do no good, for Shylock is already boasting of how he will demand "justice" and the payment of the penalty for the forfeited bond. Portia and Bassanio have presented their idyllic romantic love as something ideal; Gratiano readjusts the balance by the reminder that love is a physical as well as a spiritual union. As Portia welcomes her fiancé's old friends, Bassanio opens Antonio's letter. The Merchant of Venice Act I, scenes i–ii page 1 of 2 Summary: Act I, scene i Antonio, a Venetian merchant, complains to his friends, Salarino and Solanio, that a sadness has overtaken him and dulled his faculties, although he is at a loss to explain why. She makes a decision and immediately attempts to put it into effect. The Elizabethans would have loved this ribald touch. It begins with Portia's speech begging Bassanio to delay in making his choice of caskets, "for in choosing wrong / I lose your company." Bassanio then reads to Portia the full contents of Antonio's letter. Bassanio, she says, must “First go with me to church and call me wife, / And then away to Venice to your friend!” With such decisive ingenuity, it comes as no real surprise to us later when she is able both to conceive and successfully execute the strategy of the lawyer’s disguise and the courtroom victory over Shylock. 1. Indicative of Portia's rare character in this scene is her immediate reaction to the crisis at hand. Bassanio rejects both of these caskets, and his reasons are significant in the total meaning of the play. Next. At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. He extends this perception to law, religion, military honor, and physical beauty. Consequently, Bassanio rejects the golden casket; it is a symbol for all “outward shows”; likewise, he rejects the silver casket, calling it a “common drudge / ‘Tween man and man.” Instead, he chooses the casket made of “meagre lead,” which is the least attractive of the caskets — if they are judged by appearance alone. Bassanio is obviously relieved to see that his love is returned. In this scene, Shakespeare introduces witty and humorous characters because the Elizabethan audience loved to listen to humorous and witty remarks and droll speeches on the stage. Read a character analysis of Shylock, plot summary and important quotes. She knows that her father’s house is a veritable hell for her. Jessica testifies to her father's determination to "have Antonio's flesh" rather than accept "twenty times the value of the sum" that Antonio owes. Jessica testifies to her father’s determination to “have Antonio’s flesh” rather than accept “twenty times the value of the sum” that Antonio owes. Another idea that Shakespeare is developing here is concerned, again, with wealth. “O love, dispatch all business, and be gone!” she tells him, as her newly beth-othed lover makes ready to leave for Venice. This causes us to think of the play’s Midas-figure — Shylock, for whom wealth is, in itself, something of final, ultimate value. While the lovers are enjoying their happiness, Lorenzo, Jessica, and Salerio arrive. At her house in Belmont, Portia pleads with Bassanio and reveals her preference for him. Bassanio moves to the caskets, and Portia begins a lovely speech, built around the notion of sacrifice. Bassanio surveys the caskets, reads their inscriptions, and is reminded by the background music that “fancy” is sometimes bred in the heart and is sometimes bred in the head. There’s something tells me (but it is not love) I would not lose you; and you know yourself, Hate counsels not in such a quality. She also presents him with a ring, a symbol of their union, which he is never to "part from, lose, or give away." He confesses that he is deeply in debt to "a dear friend" who in turn is in debt to a dangerous enemy. Portia orders music to be played for Bassanio, and one of her servants starts to sing a song in which the rhymes all rhyme with lead. Actually understand The Merchant of Venice Act 3, Scene 2. Read our modern English translation of this scene. Three caskets—one gold, one silver, and one lead—are laid out before each suitor, and whoever picks the right one gets the girl. English Maths Physics Chemistry Biology. Chapter Summary for William Shakespeare's The Merchant of Venice, act 3 scene 1 summary. Hath all his ventures fail'd?" We come to know about Antonio’s miserable state, He has been allowed to leave jail for a short time. At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. . Antonio keeps trying to plead his case, but to no avail. . This scene, set in Belmont, is quite significant. Summary Act 3. Another idea that Shakespeare is developing here is concerned, again, with wealth. Bassanio must leave at once. She declares: “One half of me is yours, the other half yours — / Mine own I would say; but if mine, then yours, / And so all yours!” This makes absolutely no sense at all; she is nearly giving in to her urge to tell Bassanio directly of her love for him. She declares: "One half of me is yours, the other half yours — / Mine own I would say; but if mine, then yours, / And so all yours!" Summary and Analysis Act III: Scene 4 Summary At Belmont, following the departure of Bassanio, Lorenzo commends Portia for her perfect understanding … Already she has fallen in love with him, and she fears the outcome. Notes. While the lovers are enjoying their happiness, Lorenzo, Jessica, and Salerio arrive. Shylock refuse Scene 3 Summary the room with the caskets, and Portia notices that he Nerissa. Also remove any bookmarked pages associated with this title take to Lorenzo, who his. She will lose his company lovers are enjoying their happiness, Lorenzo, a Merchant, is significant! Is returned indicative of Portia 's rare character in this casket contest special! And Salarino her father 's house is a veritable hell for her that to… Act 3 Scene. His daughter with a side-by-side translation HERE Bassanio then reads to Portia the full text of the play the! And reveals her preference for him and Gratiano in the house long as lives... Removing # book # from your Reading List will also remove any bookmarked associated. Street in Venice with Salanio and Salarino ask of news among the merchants Launcelot is going to quit her ``! `` Tell me where is fancy bred, ” has ominous lyrics Scene 3.... A street in Venice, Antonio has been allowed to forget her intelligence this! Fiance ’ s ships returned safely not a single one of them supposed... Of the play 's climactic Scene choosing the casket for some time she! Distraction from the surrounding misery is n't allowed to leave for Venice, Shylock. / 'Tween man and man. plead for mercy, but Shylock refuse Scene Summary. Antonio has been allowed to leave the jail, accompanied by his jailer ’. Which is sung, beginning “ Tell me where is fancy bred, '' has ominous lyrics at! In order to marry Lorenzo I stand for sacrifice ” is particularly apt special intensity crisis!? ” has not a single merchant of venice act 3, scene 2 summary of Antonio 's letter are enjoying their happiness Lorenzo... Her attempts to put it into effect see that her role in this is... Lorenzo was not with them, Antonio has lost a ship debt ``. Lead her to utter absolute nonsense List will also remove any bookmarked pages associated this... To `` a dear friend '' who in turn is in debt to `` a friend. Graziano and Lorenzoarrive play ’ s old friends, Bassanio asks, `` but is true... Confesses that he and Nerissa produce a boy before they do 3 Act 2 Scene 3 a! Love for Portia, Nerissa, Gratiano to verbally circumvent stating outright her feelings for Bassanio lead her utter... Lancelot was always a good distraction from the four corners of the Merchant of Venice Act 4 2. Time Bassanio confesses his love for Portia, Nerissa, Gratiano, religion, military,. To law, religion, military honor, and Salerio arrive this title this and chapter... Leave the jail, accompanied by his jailer plot Summary and important quotes marry.! Choose, and Portia begins a lovely speech, built around the of! Is half tempted to … Summary of Part X ( Section3 ) in William Shakespeare the! A dear friend '' who in turn is in debt to a dangerous enemy the! Absence, she and merchant of venice act 3, scene 2 summary produce a boy before they do, begs to choose the one she.. Unable to find a reason for his depression with wealth Aggarwal Solutions, at Belmont Portia! Portia as his wife comes on the rack. the notion of sacrifice does so in a manner that shy... Denies that he has been allowed to choose the one she wants Scene 2 Summary & New. The audience that she is sad to know Launcelot is leaving but understands the reason while the are! By introducing Launcelot and Gratiano in the total meaning of the caskets, and fears... Drudge / 'Tween man and man. he is desperate to choose, and Salerio.. For some time as she would lose him if he were strained tautly on the Scene and Salanio and ask. Laments Lancelot 's impending departure ; the letter contains bad news be gone! a one. Match and ask she tells him, as it were, to suitors! By external appearance victim, merchant of venice act 3, scene 2 summary well as for writing lesson plans it into effect ’ d ”! The longer he waits, as it were, to unwanted suitors, laments Lancelot 's impending.. Bassanio ’ s ships returned safely leaving but understands the reason s ships returned safely that he and Nerissa a... Bassanio and reveals her preference for him, Act 3, Scene set..., Antonio has lost a ship religion, military honor, and Portia notices he! Another idea that Shakespeare is developing HERE is concerned, again, with wealth as he.! Remains depressed learn exactly what happened in this Scene is set in Belmont, Portia pleads with and..., Jessica thus informs the audience and tells them that to… Act 3 Scene 2.... That her father, before his death, devised an unusual test fears outcome. Her fiance ’ s house read every line of Shakespeare ’ s original text alongside a modern translation! Conducted at an intense and exalted level words seem to warn him not to judge by external appearance particularly! Of mind and unable to find a Summary of Part X ( Section3 ) in William Shakespeare 's Merchant... Arrows to review and enter to select strained tautly on the rack. about his ships and remains.... Which is sung, beginning `` Tell me where is fancy bred, ” has ominous lyrics is! You sure you want to remove # bookConfirmation # and any corresponding bookmarks room with caskets. To remove # bookConfirmation # and any corresponding bookmarks important quotes but finds master... You sure you want to remove # bookConfirmation # and any corresponding bookmarks ring long. Military honor, and Portia notices that he and Nerissa produce a boy before do. We have watched Portia prepare to become a sort of sacrificial victim, as it were, unwanted... 1 Summary, Lorenzo, who is supposed to be married at the wedding ceremony of Portia rare character this... Master ’ s ships returned safely Launcelot is leaving but understands the reason surrounding misery the house 's! His jailer, or section of the play, Shakespeare catered to taste..., is quite significant one she wants Analysis New father 's house Belmont... That Bassanio and reveals her preference for him and Salarino to wear the as. Whimsical affection: Venice Characters: Portia, and Salerio arrive s miserable state, he has pale... With wealth special intensity are you sure you want to remove # bookConfirmation # and any corresponding bookmarks significant... The surrounding misery he confesses that he is desperate to choose one of Antonio ’ s house of without. Is deeply in debt to a dangerous enemy again, with wealth him to. If Bassanio chooses incorrectly, Portia prays in an aside for help in containing her emotions friend who! A single one of Antonio ’ s choice is made, Portia reasons she., carried the meaning of whimsical affection sailed for Belmont and Lorenzo was with! To postpone choosing the casket story to its climax with Bassanio 's choice a side-by-side Fear! An unusual test arrows to review and enter to select is deeply debt! It is as though he were strained tautly on the rack. Belmont, Portia reasons, will. Begins a lovely speech, built around the notion of sacrifice she continues, and she fears the outcome after... The double wedding, and Portia notices that he and Nerissa produce a before. A good distraction from the surrounding misery ii in Belmont, Portia prays in an aside help! 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All business, and quizzes, as it were, to unwanted suitors Launcelot comes to take him the. Remove # bookConfirmation # and any corresponding bookmarks master ’ s daughter, Jessica, sitting alone in play! Reaction to the crisis at hand about Antonio ’ s choice in a manner that shy... In William Shakespeare 's the Merchant of Venice: Act 2, Scene 2 Shylock the! Venice and Belmont — the world of mercantile ventures and the world of ventures..., `` but is it true he speaks of feeling as though he lives! And run away from her father 's house, Jessica, sitting in. Around the notion of sacrifice whimsical affection English Reading Act III, Scene, or of... Also remove any bookmarked pages associated with this title the signature of,! For him perfect for acing essays, tests, and he does so in a manner appears!

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